"One may or may not agree with my creative thinking my method but nobody would deny that I am committed to both sculpture and painting; my commitment comes from a very intrinsic urge. The reactions of the connoisseur, ranging from praise to criticism, always work upon me as the necessary feedback which goes a long way in shaping my professional obligations.
In sculpture, I feel inclined to the unending quest of three dimensional tactility in order to ensure the impact of forms. The means that help me create the forms for my sculpture are never conclusive; they are rather elusive. Materials, be they meant for a glyptic or a plastic piece of sculpture, offer me ample scope for re-thinking, back and ahead.

In painting, things are more or less emotionally handled by me. The kind of method that I pursuer in painting presently has overcome the so-called limitations which confronts me in my sculpture. Painting, to me, is an opportunity where I breathe freely and where I prefer not to super-impose any ideas which I nurture so carefully and fondly in making sculptures. There are a good many painters-sculptors and vice versa who explore the root of creative imagination. I modestly venture to achieve this end."